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Continue reading →: Little Women (Gerwig, 2019)
As someone who loves films about girlhood, coming of age, and family this is a film that ticked all my boxes and made me appreciate this lovely little story even more. With numerous adaptations, Greta Gerwig’s most recent 2019 edition is without a doubt my favourite. Gerwig’s emphasis on female…
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Continue reading →: Corpse Bride (Burton and Johnson, 2005)
Corpse Bride (Burton and Johnson, 2005) is possibly one of my favourite stop-motion films alongside one of my favourite films Tim Burton has directed. As inspiration is drawn from 17th century Jewish folklore, titled ‘The Finger’ (although Burton denied any ties to those roots). The inspiration from folklore is also…
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Continue reading →: Nightmare on Elm Street (Craven, 1984)
Nightmare on Elm Street (Craven, 1984) is a slasher horror film, part of the same movement as classics such as Halloween (Carpenter,1978) and Friday the 13th (Cunningham, 1980). The film is credited with the creation of the morality play that surrounds the sexual promiscuity in teenagers resulting in their eventual…
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Continue reading →: Carrie (De Palma, 1976)
A scene where the use of mise-en-scene can be highlighted as especially evocative within Carrie’s closet. Although it is a clear theme throughout the film the theme of religion is particularly clear here. The overhead shot of Carrie banging on the door helps establish her situation and furthermore shows how…
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Continue reading →: Marie Antoinette (Coppola, 2006)
Sofia Coppola’s signature and whimsical style clearly shines through again in Marie Antoinette (2006) the removal of stereotypical rigid historical storytelling allows a dreamlike and fanciful reinterpretation. This film is particularly well known for blending 18th-century French history with modern music and fashion. The soundtrack (containing music from The Stokes…
